173
Slide Left Icon
Slide Right Icon
Zin Taylor / 下田市 (Shimoda) – Ambient Visions of a Dot
Zin Taylor / 下田市 (Shimoda) – Ambient Visions of a Dot
Zin Taylor / 下田市 (Shimoda) – Ambient Visions of a Dot
Zin Taylor / 下田市 (Shimoda) – Ambient Visions of a Dot
Zin Taylor / 下田市 (Shimoda) – Ambient Visions of a Dot
Zin Taylor / 下田市 (Shimoda) – Ambient Visions of a Dot
Zin Taylor / 下田市 (Shimoda) – Ambient Visions of a Dot
Zin Taylor / 下田市 (Shimoda) – Ambient Visions of a Dot
Zin Taylor / 下田市 (Shimoda) – Ambient Visions of a Dot
Zin Taylor / 下田市 (Shimoda) – Ambient Visions of a Dot
Zin Taylor / 下田市 (Shimoda) – Ambient Visions of a Dot
Zin Taylor / 下田市 (Shimoda) – Ambient Visions of a Dot
Zin Taylor / 下田市 (Shimoda) – Ambient Visions of a Dot

Zin Taylor

下田市 (Shimoda) – Ambient Visions of a Dot

€25,00
15 × 21 cm, 96p, ills b&w, open binding, dust jacket
ISBN 9789493146419
design and editing: 6m56s
language: English / Japanese
Edition of 500
December 2020

In Zin Taylor’s ‘Ambient Visions of a Dot’, the artist records a day spent walking around the coastal village of Shimoda, Japan. Captured in black and white, using an old Sony Cyber-shot camera, the high contrast photographs explore a landscape rich with allegorical content. As a process of creation Taylor uses the camera as a skillful travel companion, one that is particularly adept at teasing out the sublimated influences embedded within this bucolic environment. The resulting images, along with a  text written by the artist, address the abstract, surreal, uncanny, and sometimes hallucinogenic transformations of one thing into another. A series of ambient visions that document a landscape’s whimsical metamorphosis into a language of chromatic form.

Special Edition available here
Poster available here

Zin Taylor (°1977, Calgary) lives and works in Paris. Taylor could be introduced as a narrator of forms, one who uses a diverse range of mediums, including sculptural installations, drawing, animation, photography and writing. His practice investigates subjects through their shape, gesture and materiality—in sum, through their sculptural behaviour.